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<channel>
	<title>Peter Rentz</title>
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	<link>http://www.peterrentz.com/work</link>
	<description>NEW YORK CITY</description>
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		<title>GHava {Press}</title>
		<link>http://www.peterrentz.com/work/ghavapress/</link>
		<comments>http://www.peterrentz.com/work/ghavapress/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 21:12:56 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[web]]></category>
		<category><![CDATA[2006]]></category>
		<category><![CDATA[GHAVA]]></category>
		<category><![CDATA[LA]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[template]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1586</guid>
		<description><![CDATA[
GHavaPress
Website mockups for a publishing venture in Brooklyn NY. Although my preference where these, what was eventually  coded is ok as well. My first use of Trebuchet MS. 
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.peterrentz.com/work/wp-content/uploads/2010/06/web.cataloguepage.002.gif"><img class="alignnone size-medium wp-image-1584" title="web.cataloguepage.002" src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/web.cataloguepage.002-361x314.gif" alt="" width="361" height="314" /></a><span id="more-1586"></span><a href="http://www.peterrentz.com/work/wp-content/uploads/2010/06/web.cataloguepage.003.gif"><img class="alignnone size-medium wp-image-1585" title="web.cataloguepage.003" src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/web.cataloguepage.003-315x360.gif" alt="" width="315" height="360" /></a></p>
<h1 align="center">GHavaPress</h1>
<p>Website mockups for a publishing venture in Brooklyn NY. Although my preference where these, what was eventually  <a href="http://www.ghavapress.com/">coded</a> is ok as well. My first use of Trebuchet MS. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="End of Article" width="15" height="15" /></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Update No. 1</title>
		<link>http://www.peterrentz.com/work/update-no-1/</link>
		<comments>http://www.peterrentz.com/work/update-no-1/#comments</comments>
		<pubDate>Sat, 19 Jun 2010 23:36:25 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[NYC]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1480</guid>
		<description><![CDATA[This site initially started as a way to edit WordPress themes, specifically Sandbox, but soon became a database of work I was doing outside of the GHava NY office. I was never working off mockups but tweaking here and there, which is not my preferred method of designing for the screen. The site was also [...]]]></description>
			<content:encoded><![CDATA[<p>This site initially started as a way to edit <a href="http://wordpress.org/">WordPress</a> themes, specifically <a href="http://www.plaintxt.org/themes/sandbox/">Sandbox</a>, but soon became a database of work I was doing outside of the GHava NY office.<span id="more-1480"></span> I was never working off mockups but tweaking here and there, which is not my preferred method of designing for the screen. The site was also a convenient place to test web technologies like CSS3, WP plugins and dynamic rendered typography. Now that WordPress 3 is out, it maybe a time to revisit the site from scratch, choose not to use WordPress or not have a website at all.  Or not worry about the presentation, use Sandbox <a href="http://www.sulki-min.com/wp/">straight out of the box</a> and concentrate on the content, including additional writing.</p>
<p>This summer I am also interning at the amazingly awesome studio <a href="http://projectprojects.com/">Project Projects</a> to gain more experience in the fields (arts, culture and publishing) and media (print, web, exhibition) I would prefer to work. It is as much a learning  as an unlearning experience. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></p>
<h5 align="center">NEWS</h5>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>East of Havana</title>
		<link>http://www.peterrentz.com/work/east-of-havana/</link>
		<comments>http://www.peterrentz.com/work/east-of-havana/#comments</comments>
		<pubDate>Sat, 19 Jun 2010 00:28:47 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[Print]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[LA]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1461</guid>
		<description><![CDATA[
East of Havana — Book
A never-really-released book to accompany the documentary of the same name. I think this was a low run rushed edition printed on crappy paper for a film festival in Italy. Photography by Estevan Oriol &#038; Angela Boatwright, edited by J. Saizarbitoria. The chapters of the book were developed around a quote [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-large wp-image-1524" title="eoh.001" src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.001-737x350.jpg" alt="" width="737" height="350" /><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.002-737x360.jpg" alt="" title="eoh.002" width="737" height="360" class="alignnone size-large wp-image-1525" /><span id="more-1461"></span><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.003-737x360.jpg" alt="" title="eoh.003" width="737" height="360" class="alignnone size-large wp-image-1526" /><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.004-737x360.jpg" alt="" title="eoh.004" width="737" height="360" class="alignnone size-large wp-image-1527" /><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.005-737x379.jpg" alt="" title="eoh.005" width="737" height="379" class="alignnone size-large wp-image-1528" /><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/06/eoh.006-737x379.jpg" alt="" title="eoh.006" width="737" height="379" class="alignnone size-large wp-image-1529" /></p>
<h1 align="center">East of Havana — Book</h1>
<p>A never-really-released book to accompany the <a href="http://www.peterrentz.com/work/east-of-havana-web/">documentary</a> of the same name. I think this was a low run rushed edition printed on crappy paper for a film festival in Italy. Photography by Estevan Oriol &#038; Angela Boatwright, edited by J. Saizarbitoria. The chapters of the book were developed around a quote by one of the Cuban MCs and were censored per chapter to highlight the pertinent theme. The logo was done by a third party for the movie although  I would have preferred a more traditional approach to the title / cover treatment. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="End of Article" width="15" height="15" /> </p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TFS Case Study</title>
		<link>http://www.peterrentz.com/work/tfs-case-study/</link>
		<comments>http://www.peterrentz.com/work/tfs-case-study/#comments</comments>
		<pubDate>Sat, 15 May 2010 22:50:15 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[web]]></category>
		<category><![CDATA[2008]]></category>
		<category><![CDATA[GHAVA]]></category>
		<category><![CDATA[NYC]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1425</guid>
		<description><![CDATA[
GHava &#215; TFS Case Study
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ghava.com/casestudies/index.php"><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/TFS.CaseStudy.home_-361x264.gif" alt="" title="TFS.CaseStudy.home" width="361" height="264" class="alignnone size-medium wp-image-1448" /></a><span id="more-1425"></span><a href="http://www.ghava.com/casestudies/overview.php"><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/TFS.CaseStudy.overview-361x264.gif" alt="" title="TFS.CaseStudy.overview" width="361" height="264" class="alignnone size-medium wp-image-1449" /></a><a href="http://www.ghava.com/casestudies/web.php"><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/TFS.CaseStudy.web_-361x264.gif" alt="" title="TFS.CaseStudy.web" width="361" height="264" class="alignnone size-medium wp-image-1450" /></a></p>
<h1 align="center">GHava &times; TFS Case Study</h1>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>East Of Havana</title>
		<link>http://www.peterrentz.com/work/east-of-havana-web/</link>
		<comments>http://www.peterrentz.com/work/east-of-havana-web/#comments</comments>
		<pubDate>Fri, 14 May 2010 01:52:51 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[web]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[LA]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1406</guid>
		<description><![CDATA[
East of Havana — web
Website for a documentary and book about hip hop in Cuba. 
]]></description>
			<content:encoded><![CDATA[<p><a href="http://eastofhavana.com/"><img class="alignnone size-medium wp-image-1407" title="EastOfHavana_home" src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/EastOfHavana_home-361x308.jpg" alt="" width="361" height="308" /></a><span id="more-1406"></span><a href="http://eastofhavana.com/index.php?pid=press"><img class="alignnone size-medium wp-image-1408" title="EastOfHavana_press" src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/EastOfHavana_press-361x308.jpg" alt="" width="361" height="308" /></a><a href="http://eastofhavana.com/index.php?pid=aboutfilm"><img class="alignnone size-medium wp-image-1415" title="EastOfHavana_about" src="http://www.peterrentz.com/work/wp-content/uploads/2007/05/EastOfHavana_about-361x308.jpg" alt="" width="361" height="308" /></a><a href="http://eastofhavana.com/index.php?pid=photo02"><img class="size-medium wp-image-1409 alignnone" title="EastOfHavana_photos" src="http://www.peterrentz.com/work/wp-content/uploads/2010/05/EastOfHavana_photos-361x308.jpg" alt="" width="361" height="308" /></a></p>
<h1 align="center">East of Havana — web</h1>
<p>Website for a documentary and book about hip hop in Cuba. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="End of Article" width="15" height="15" /></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AOL — Hands</title>
		<link>http://www.peterrentz.com/work/hands/</link>
		<comments>http://www.peterrentz.com/work/hands/#comments</comments>
		<pubDate>Sun, 09 May 2010 02:59:47 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[identity]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[GHAVA]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1470</guid>
		<description><![CDATA[
AOL — Hands
At GH I directed this piece about creativity in the digital era for the Wolff Olins rebrand of AOL. Sculpture by Charlie Becker with audio by Yusuke Hama. 
]]></description>
			<content:encoded><![CDATA[<p><object width="720" height="430"><param name="movie" value="http://www.youtube.com/v/iKASKIkXaDo&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/iKASKIkXaDo&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="720" height="430"></embed></object><span id="more-1470"></span></p>
<h1 align="center">AOL — Hands</h1>
<p>At GH I directed this piece about creativity in the digital era for the Wolff Olins rebrand of AOL. Sculpture by <a href="http://www.charliebecker.net">Charlie Becker</a> with audio by <a href="http://www.yusukehama.com/">Yusuke Hama</a>. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AOL — Stones</title>
		<link>http://www.peterrentz.com/work/stones/</link>
		<comments>http://www.peterrentz.com/work/stones/#comments</comments>
		<pubDate>Sun, 09 May 2010 02:56:07 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[identity]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[GHAVA]]></category>
		<category><![CDATA[NYC]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1607</guid>
		<description><![CDATA[
AOL —Stones
At GH I directed this piece about natural attraction, and the consequences, for the Wolff Olins rebrand of AOL. Audio by Leblase and action script programming by Won You. 
]]></description>
			<content:encoded><![CDATA[<p><object width="720" height="430"><param name="movie" value="http://www.youtube.com/v/SSN6Z5fpmxk&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/SSN6Z5fpmxk&amp;hl=en_US&amp;fs=1?rel=0&amp;hd=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="720" height="430"></embed></object><span id="more-1607"></span></p>
<h1 align="center">AOL —Stones</h1>
<p>At GH I directed this piece about natural attraction, and the consequences, for the Wolff Olins rebrand of AOL. Audio by Leblase and action script programming by Won You. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>はまさいど</title>
		<link>http://www.peterrentz.com/work/%e3%81%af%e3%81%be%e3%81%95%e3%81%84%e3%81%a9/</link>
		<comments>http://www.peterrentz.com/work/%e3%81%af%e3%81%be%e3%81%95%e3%81%84%e3%81%a9/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 04:05:23 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[illustration]]></category>
		<category><![CDATA[web]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[NYC]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1297</guid>
		<description><![CDATA[
Hamacide
Yusuke Hama&#8217;s new project under his Hamacide moniker that in addition to sounding dangerous also translates to &#8220;by the shore&#8221;.  Since initially the music release is digital only I treated the illustrations by photographing them off the monitor and layering, to emphasize their lifespan as being entirely on screen. Elements of the cover also [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://hamacide.com"><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/04/hamacide.360x360.RGB_.jpg" alt="" title="hamacide.360x360.RGB" width="360" height="360" class="alignnone size-full wp-image-1393" /></a><span id="more-1297"></span><a href="http://hamacide.com"><img src="http://www.peterrentz.com/work/wp-content/uploads/2010/04/hamacide.com_-361x335.gif" alt="" title="hamacide.com" width="361" height="335" class="alignnone size-medium wp-image-1391" /></a></p>
<h1 align="center">Hamacide</h1>
<p>Yusuke Hama&#8217;s new project under his Hamacide moniker that in addition to sounding dangerous also translates to &#8220;by the shore&#8221;.  Since initially the music release is digital only I treated the illustrations by photographing them off the monitor and layering, to emphasize their lifespan as being entirely on screen. Elements of the cover also carry thru to the <a href="http://hamacide.com">website</a> and can be expanded upon for future videos, remixes packages, etc.<img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cameron Martin</title>
		<link>http://www.peterrentz.com/work/cameron-martin/</link>
		<comments>http://www.peterrentz.com/work/cameron-martin/#comments</comments>
		<pubDate>Sat, 27 Mar 2010 13:45:00 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[web]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[GHAVA]]></category>
		<category><![CDATA[NYC]]></category>

		<guid isPermaLink="false">http://www.peterrentz.com/work/?p=1259</guid>
		<description><![CDATA[
Cameron Martin website
Cameron&#8217;s work is part painting, part photography and part printing making. His palette is often a small range of grey resulting in low contrast images whose impact on the eye vary immensely depending on the ambient light. The WordPress enabled site is super simple  with the exception of the &#8220;splash&#8221; page whose [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://cameronmartin.info/"><img src="http://www.peterrentz.com/work/wp-content/uploads/cameron_martin_web_000-361x292.jpg" alt="" title="cameron_martin_web_000" width="361" height="292" class="alignnone size-medium wp-image-1369" /></a><a href="http://cameronmartin.info/selected-work/"><img src="http://www.peterrentz.com/work/wp-content/uploads/cameron_martin_web_001-361x292.jpg" alt="" title="cameron_martin_web_001" width="361" height="292" class="alignnone size-medium wp-image-1368" /></a><span id="more-1259"></span></p>
<h1 align="center"><a href="http://cameronmartin.info">Cameron Martin</a> website</h1>
<p>Cameron&#8217;s work is part painting, part photography and part printing making. His palette is often a small range of grey resulting in low contrast images whose impact on the eye vary immensely depending on the ambient light. The WordPress enabled <a href="http://cameronmartin.info">site</a> is super simple  with the exception of the &#8220;splash&#8221; page whose background cycles through a range of grey. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Life Force Trio</title>
		<link>http://www.peterrentz.com/work/the-life-force-trio/</link>
		<comments>http://www.peterrentz.com/work/the-life-force-trio/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:52:02 +0000</pubDate>
		<dc:creator>Peter</dc:creator>
				<category><![CDATA[Print]]></category>
		<category><![CDATA[2006]]></category>
		<category><![CDATA[black]]></category>
		<category><![CDATA[Carlos Niño]]></category>
		<category><![CDATA[LA]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[typography]]></category>

		<guid isPermaLink="false">http://peterrentz.com/work/?p=52</guid>
		<description><![CDATA[
The Life Force Trio
Carlos essentially let me run with this — his only request that it have a private press feel and include a Kev Ramos polaroid on the front. I added Akzidenz Grotesk, the polaroid and a mix of rich and pure black ink.
My main visual reference was the Actuel jazz series but with a much looser type [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdcover.jpg"><img class="alignnone size-medium wp-image-332" title="lftcdcover" src="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdcover-361x300.jpg" alt="" width="361" height="300" /></a><a href="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdback.jpg"><img class="alignnone size-medium wp-image-333" title="lftcdback" src="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdback-361x300.jpg" alt="" width="361" height="300" /></a><span id="more-52"></span><a href="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdinside.jpg"><img class="alignnone size-full wp-image-334" title="lftcdinside" src="http://peterrentz.com/work/wp-content/uploads/2008/11/lftcdinside.jpg" alt="" width="737" height="auto" /></a><a href="http://www.peterrentz.com/work/wp-content/uploads/LifeForceTrio.front.jpg"><img src="http://www.peterrentz.com/work/wp-content/uploads/LifeForceTrio.front-727x709.jpg" alt="LifeForceTrio.front" title="LifeForceTrio.front" width="727" height="709" class="alignnone size-large wp-image-790" /></a><a href="http://www.peterrentz.com/work/wp-content/uploads/LifeForceTrio.back.jpg"><img src="http://www.peterrentz.com/work/wp-content/uploads/LifeForceTrio.back-727x704.jpg" alt="LifeForceTrio.back" title="LifeForceTrio.back" width="727" height="704" class="alignnone size-large wp-image-791" /></a></p>
<h1 align="center">The Life Force Trio</h1>
<p>Carlos essentially let me run with this — his only request that it have a private press feel and include a Kev Ramos polaroid on the front. I added Akzidenz Grotesk, the polaroid and a mix of rich and pure black ink.</p>
<p class="indent">My main visual reference was the Actuel jazz series but with a much looser type treatment. And  both Carlos and I thought it quite democratic to include all the players name on the cover as opposed to hiding them in the liner notes. <img class="baser" src="http://peterrentz.com/work/wp-content/themes/brignolo/images/square.gif" alt="" width="15" height="15" /></p>
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